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Topics: Typography

Garamond, the Eco-Friendly Font

Brian Coale

A highly popular and much-emulated font, Garamond represents a group of old-style serif typefaces named after Claude Garamond.

Claude Garamond was a punchcutter who cut types for the Parisian printer Robert Estienne in the early sixteenth century. He based his romans on those designed by Francesco Griffo, who cut type for the Venetian printer Aldus Manutius in 1495. After Claude Garamond died in 1561, his punches were sold to the printing office of Christoph Plantin in Antwerp, where they were used for several decades. A complete set of the original Garamond dies and matrices is still on display at the Plantin-Moretus museum even today.

Topics: Typography

Eurostile, the Space Age font

Brian Coale

A child of the Space Race and a perfect representation of it's time, Eurostile is an acutely distinctive font with a characteristically chic and sophisticated appearance.

Designed in 1962 by Aldo Novarese for the popular Nebiolo type foundry in Italy, Eurostile was based on Novarese's earlier work Microgamma. While Microgamma featured only capital letters, Eurostile included upper and lower case letters, bold condensed variants, and the ultra-narrow Eurostile Compact variant. In all, the original Eurostile family contained seven fonts.

Topics: Typography

Goudy Old Style, the Graceful Typeface

Brian Coale

One typeface that has greatly inspired my love for typography over the years is Goudy Old Style. Elegant and stately, Goudy Old Style is a fine choice for any creative that that requires an ambiance of beauty and nobility.

Goudy Old Style was created by Frederic W. Goudy in 1915 on behalf of the American Type Founders, a business trust created in 1892 by the merger of 23 type foundries, representing about 85% of all type manufactured in the United States.